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Lazarillo de Tormes: Summary and Analysis

Lazarillo de Tormes has had several sequels and imitations. In 1620, Juan de Luna published the Second Part of Lazarillo of Tormes in Paris. The same year, El Lazarillo de Manzanares by Juan Cortes de Tolosa was published in Madrid. Even in modern times, Camilo José Cela published New Adventures and Misadventures of Lazarillo de Tormes.

Plot and Structure

The novel consists of a prologue and seven treatises of uneven length. It is written in an autobiographical form: the narrator writes to "Your Grace," who has previously asked him to fully explain "the case," referring to rumors about the infidelity of Lázaro's wife. Lázaro does not limit himself to accounting for the case, but, justifying himself... Continue reading "Lazarillo de Tormes: Summary, Analysis & Structure" »

Vanguards and "Isms": Ramón Gómez de la Serna

In the 1920s, Novecentismo rejected mimetic and realistic poetry. It embraced a disruptive position, obsessed with aesthetic exploration and experimentation. The concept of "art" encompassed various movements, including Futurism, Cubism, Surrealism, Creationism, and Ultraism. These diverse trends rejected imitation, sentimentality, conformity, and established rules. They argued that the poet, the creator, must be original and forge their own aesthetic. The quest for originality became essential, emphasizing surprise and provocation through play and humor.

From 1926 onward, Spain witnessed the emergence of the avant-garde. Creationism, the first movement, appeared through Gerardo Diego's magazine,... Continue reading "Spanish Avant-Garde Movements in the 1920s" »

Introduction

This document analyzes a newspaper editorial, examining its communicative intentions, discursive form, language use, and stylistic devices. The editorial addresses a topical issue, reflecting on it with a moderate tone and offering solutions.

Communicative Intentions and Discursive Form

The editorial exhibits a dual communicative intention: reporting and commenting. This duality is reflected in the discursive form, which blends argumentative (subjective) and expository (objective) elements. Objectivity is achieved through the use of third-person pronouns, declarative sentences, specific adjectives, and factual data. Subjectivity is evident in the use of evaluative lexis, notable emphasis, and the emergence of first, second, and third-... Continue reading "Analysis of a Newspaper Editorial" »

Kinds of Nouns

Common Nouns

Words for realities that form classes.

Proper Nouns

Words used to identify and refer to individual beings.

Concrete Nouns

Show realities that may be perceived by any of our senses.

Abstract Nouns

Designate things not perceived by the senses but only by the mind.

Collective Nouns

Singular words that refer to sets of individuals of the same nature.

Individual Nouns

Refer to each of the elements within a set, opposing groups that do not presuppose the existence of a set.

Uncountable Nouns

Realities that do not support designating numerals.

Adjectives

Morphological Viewpoint

Adjectives have morphemes of gender and number, allowing them to agree with the nouns they accompany. They can be derived or compound.

Semantic Viewpoint

Adjectives... Continue reading "Exploring Nouns, Adjectives, and Verbs in Language" »

Perfume: The Story of a Murderer - Summary

Perfume: The Story of a Murderer is a novel by Patrick Süskind, narrated in the third person, that tells the life of Jean-Baptiste Grenouille.

Grenouille was born in 18th-century France amidst the most obnoxious odors imaginable. Abandoned by his mother, he barely survived. However, he possessed something special from birth: an extraordinary sense of smell. This gift, coupled with his lack of a personal odor, drove him to become a murderer with a singular goal: to create the most exquisite human scent.

This obsession led him to commit heinous crimes, extracting the most exquisite fragrances from his victims' bodies, culminating in an unexpected and surprising ending.

The Development of Odors in the Book

The... Continue reading "Perfume: The Story of a Murderer - A Detailed Summary" »

Galician Popularization in Portugal

The great writers were concerned about the lack of written rules in common, which would be a priority goal. In Galician, we distinguish the following steps:

Precursors and writers belonging to the *Renacemento* (Renaissance). It is characterized by Castilianisms, dialects, and vulgarisms in speech, such as the use of Spanish to resolve lexical deficiencies. There is some interdialectal talk; it does not merely reflect the speech of the area. Eduardo Pondal's writing is cultured and refined; he takes into account Portuguese and makes use of cultism in spelling. The use of Spanish was something that they knew well. The best writing of the 19th century uses single quotes to represent contractions. An institution... Continue reading "Evolution of the Galician Language Since the 19th Century" »

Dialogue

Dialogue is a text type in which two or more people share the use of words. It is the most frequent form of communication in daily life. Dialogue can be conducted directly or through other means.

Kinds of Dialogue

• Unplanned: These are spontaneous, impromptu, and without preparation, such as a conversation.
• Planned: Prepared in advance, such as a party, debate, or interview.

Exposition

Exposition is a text that presents or explains a topic.

Structure of an Exposition

• Introduction: The topic is introduced.
• Body: Paragraphs in which the subject is developed.
• Conclusion: A final summary of the main ideas.

Argumentation

Argumentation is a text that defends an idea.

Varieties of Language

Verbal language is communicated through words.

• Oral: Spread by word

Types of Stanzas

Two-Line Stanzas

Paired: Artful, with or without assonance or consonance (aa / AA).

Three-Line Stanzas

Tercet: Three lines with an ABA rhyme scheme.

Soleá: Three lines with an aba assonance scheme.

Four-Line Stanzas

Quatrain: Four lines with an ABBA rhyme scheme.

Quatrain: Four lines with an abba rhyme scheme.

Serventesio: Four lines with an ABAB rhyme scheme.

Copla: Four lines with a 7-5 assonance scheme (aa-5).

Redondilla: Four lines with a 8-syllable abab rhyme scheme.

Cuarteta: Four lines with an abab rhyme scheme.

Seguidilla: Four lines with an assonance scheme (ababaa).

Octava Real (8-line stanza): Eight lines with an ABBAACCA rhyme scheme.

Five-Line Stanzas

Limerick: Five lines with varying rhyme and meter.

Quintet: Five lines with... Continue reading "Poetic Forms and Figures of Speech" »

Sentence Types and Moods

Types of Predicative Sentences:

• Transitive
• Intransitive
• Active
• Passive
• Reflexive
• Reciprocal
• Impersonal (no subject: e.g., "It is raining")

Sentence Modality (Mood):

• Declarative (Enunciativa)
• Interrogative
• Exclamative
• Tentative/Dubitative
• Desiderative (Expressing desire)
• Imperative (Command)

Verbs and Tenses

Examples of tenses:

• Past Simple: I ate.
• Perfect: I have eaten.

Polyphony in Communication

Polyphony refers to the set of voices participating in the development of any communicative situation. We can distinguish between:

1. External Reality: The actual author of the text (the issuer who truly produces the text) and the actual reader (the real receptor).
2. Model: The model or image of each participant that the other creates. The author has a

The Style and Narrative Techniques in Unamuno's Work

The content, style, character in the novel, ideological and conceptual, determines the style of the text. It is permeated with narration. The terminology is abstract, full of paradoxes, antitheses, metaphors, metonymy, and symbols. In addition, the style is determined by the presence of a fictional narrator: a 50-year-old woman, who, in writing her memoirs, recalls past events. There are digressions and reflections—some with an ironic tone—of the narrative thread, with exaggerations and reiterations.

Narrative Techniques

All the novel is reconstructed on the literary device of the found manuscript. Using the found manuscript, Unamuno strengthens the intended verisimilitude, making the reader... Continue reading "Style and Narrative Techniques in Unamuno's Work" »