Notes, summaries, assignments, exams, and problems for Arts and Humanities

The Tribute Money, a seminal work by Masaccio, is a fresco adorning the Brancacci Chapel within the Church of Santa Maria del Carmine in Florence. This monumental work is part of a larger fresco cycle, organized around a Gothic altarpiece, with The Tribute Money situated to its left.

Context and Narrative of The Tribute Money

The fresco depicts a pivotal episode from Christ's life, as narrated by Saint Matthew (Matthew 17:24-27). It illustrates the miracle that occurred when a tax collector demanded payment from Jesus. In response, Jesus instructs the Apostle Peter to find a coin in the mouth of a fish from the river, which Peter then uses to pay the tax.

Compositional Brilliance: Three Scenes in One

Masaccio masterfully synthesizes three distinct... Continue reading "Masaccio's The Tribute Money: A Renaissance Masterpiece" »

Description: Linguistic Levels

Morphological Level

• Use of past and present tenses, imperfective in character.
• Dominance of the third person.
• Abundance of appreciative suffixation, especially in subjective descriptions.

Syntactic Level

• Prevalence of declarative sentences.
• Preference for attributive sentences.
• Importance of nouns to designate the described entity.
• Utilization of adjectives or adjectival phrases to characterize the described.

Semantic Level

• Use of state verbs.
• Importance of descriptive, relational, or membership adjectives in objective descriptions.
• Presence of adverbs or adverbial constructions indicating place, time, or manner.

Exposition: Linguistic Levels

Morphological Level

• Prevalence of the third person as a mark of objectivity, though

Eugenio d'Ors: A visit to the Museo del Prado, guided by the insights of Eugenio d'Ors, transcends a simple museum tour. It becomes a master class in aesthetics, shaping how we perceive and articulate art.

The D'Ors Thesis: Reason and Order

The visit's objective is far from neutral. D'Ors's thesis emphasizes reason and order as the ideal framework for art. He views art as an illustration of the ongoing dialectic between the "classic" and the "baroque".

An Iconographic Approach

This edition adopts an iconographic approach to the core of d'Ors's aesthetic analysis. Graphic details within the text are highlighted, and the museum's extensive collection is used to showcase diverse perspectives, even those not explicitly mentioned by d'Ors. This approach... Continue reading "Eugenio d'Ors: A Master Class at the Museo del Prado" »

Velázquez's Toilet of Venus

The Toilet of Venus (1650), Oil on canvas. National Gallery, London.

Description of the Scene

This painting represents the Roman goddess of love, beauty, and fertility reclining languidly in her bed, her back toward the female spectator. The spectator can identify with Venus due to the presence of her son, Cupid. He appears without his usual bow and arrows. Cupid is holding a pink ribbon of silk that is draped over the mirror and curls on its frame.

The Mirror and Reflection

The most original part of the composition is the mirror Cupid holds, in which the goddess looks outward to the viewer of the painting through her reflection in the mirror.

Symbolism of the Mirror

The fact that Venus is looking at the viewer through... Continue reading "Velázquez's Toilet of Venus Painting Analysis" »

I. The Dramatic Text and Theater Fundamentals

Dramatic text refers to literary works written specifically for representation by actors on stage. A key characteristic is the use of dialogue, replacing the figure of the narrator.

It is crucial to distinguish between the drama (the literary text) and the theatrical performance (the realization on stage, involving actors, costumes, scenery, etc.).

Key Features of Dramatic Text

• The Action: The scenic series of events that define the characters by their behavior.
• The Characters: Those who perform the action through dialogue.
• The Dramatic Tension: A mood of excitement, impatience, or anticipation produced in the viewer regarding an imminent event, aiming to maintain attention until the final outcome.

Attributes

The Birth of Venus by Botticelli

Decoding the Symbolism of a Renaissance Masterpiece

The Birth of Venus, painted by Sandro Botticelli around 1482-1485, is one of the most iconic works of the Italian Renaissance. This painting, depicting the goddess Venus arriving at the shore after her birth, is rich in symbolism and classical references.

Figures and Their Meanings

On the left side of the painting, we see two figures intertwined:

• Zephyrus: The god of the west wind.
• Chloris: A nymph, and wife of Zephyrus. The Romans often referred to her as Flora. She has also been identified with Aura, the goddess of the breeze.

Their embrace symbolizes the union of spirit and matter. Roses, said to have sprung forth alongside Venus, fall around them.

At the center... Continue reading "Botticelli's Birth of Venus: Symbolism and Meaning" »

Narrative Voice and Point of View

Elements of Narrative

• Narrator/Storyteller: The issuer of the story.
• Characters: Individuals within the narrative.
• Setting: Characteristic time and space.

Narrative Perspectives

• First-person protagonist: The narrator recounts what happens to them.
• First-person witness: The narrator recounts what happens to another character.
• Third-person witness: The narrator recounts what happens to others.
• Omniscient: The narrator knows more than the characters.

Types of Description

Descriptive Dynamics

• Dynamic descriptions: Provide an image of a moving object or process, recording each stage of its development.
• Static descriptions: Register an object or a state of stillness, aiming to present a stable image like a picture.

Descriptive

Art Education Examination Guidelines

Form is the appearance presented by the objects we perceive through our senses. It is an organization of elements. Every form is composed of points, lines, surfaces, and volumes.

Characteristics of Form

• Size: Depends on the relation and comparison between one form and another.
• Color: Usually, what is seen as a form cannot be separated from what we see as color.
• Texture: May occur as variations in color.
• Position: When we relate the form to the area or field which develops visual perception, we can determine its position.

Position in Space

Every form has its location in space. We can see up, down, right, left, distant, or close, thanks to the relationship between objects and our point of view. An artist can place... Continue reading "Visual Arts Principles: Mastering Form and Figure" »

Forms of Expression in Communication

Narration

Narration is a form of expression used to recount events or stories, real or imagined, that happen to characters in a specific space and time. It can be classified into two categories:

• Literary Narrative Art: Has an artistic purpose. It is characteristic of novels, short stories, fables, epics, and legends.
• Non-Literary Narrative: Used for informational purposes. It is characteristic of news, reports, and chronicles.

A type of non-literary narrative storytelling is that which we use in conversations, informal discussions, to tell stories, or summarize book plots. Narration frequently appears combined with other forms of expression, such as dialogue. The function of language in narration is predominantly... Continue reading "Mastering the Four Essential Forms of Communication" »

Andy Warhol's Campbell's Soup Cans (1965)

Artist: Andy Warhol
Year: 1965
Medium: Acrylic and silkscreen on canvas
Genre: Contemporary Still Life

Historical Context: Post-WWII Art & Globalization

Following World War II, significant global events unfolded, including the Vietnam War, the return of democracy in Spain, the Korean War, and the eventual end of the Cold War. These events led to a redistribution of geopolitics, with Europe's traditional influence giving way to widespread globalization of information. This era fostered an approximation among various fields, facilitating the exchange of artistic tastes and ideas. Consequently, the twentieth century witnessed the rapid emergence of numerous avant-garde movements. The tastes and interests... Continue reading "Andy Warhol's Campbell's Soup Cans: Pop Art Iconography" »