Narrative Techniques and Literary Perspectives Explained
Nonprofessional Characters: Heterodiegetic Storytellers
Within this category, the narrator can be classified by their level of knowledge:
- Omniscient: Knows everything, including thoughts and actions.
- Limited: Describes actions but does not access thoughts or intentions.
Comparison of Narrative Perspectives
Nineteenth Century
- Omniscient: Dominates all narrative events; a singular voice controlling the entire situation.
Twentieth Century
- Relative Knowledge: Handles only specific data; reality is fragmented and only partially understood.
Premise and Dialogue Styles
- Direct: Refers to character dialogue reproduced verbatim, which interrupts the narrative flow.
- Indirect: The narrator dominates the discourse, reporting what characters say.
- Free Indirect: The narrator appears to speak from within the characters, traditionally associated with the omniscient narrator.
Contemporary Narrative Techniques
Techniques derived from film and modern literature:
- Mounting: Multiplicity of narrators and points of view with parallel narrative threads.
- Racconto: An extended backward shift in time.
- Flashback: A brief recollection of past events.
- Premonition or Prospecting: A vision of a possible future.
- Flash Forward: A short projection into the future.
- Internal Monologue: Verbalization of a character's mental contents in a logical order to reveal interiority.
- Soliloquy: A structured, logical internal monologue where the character dialogues with themselves.
- Stream of Consciousness: Verbalization of mental contents as they appear in the unconscious; lacks logical structure and is often chaotic.
Time in Narrative
- Fable (Story Time): Actions presented in a linear, causal, and chronological sequence.
- Subject (Discourse Time): The aesthetic arrangement of events, which may break the linear timeline.
- Reference Time: The historical reality, social context, and cultural period of the writer.
Note: Anachronies represent a deliberate break with the fable.