Narrative Techniques and Literary Perspectives Explained

Arts and Humanities2.51 KB

Nonprofessional Characters: Heterodiegetic Storytellers

Within this category, the narrator can be classified by their level of knowledge:

  • Omniscient: Knows everything, including thoughts and actions.
  • Limited: Describes actions but does not access thoughts or intentions.

Comparison of Narrative Perspectives

Nineteenth Century

  • Omniscient: Dominates all narrative events; a singular voice controlling the entire situation.

Twentieth Century

  • Relative Knowledge: Handles only specific data; reality is fragmented and only partially understood.

Premise and Dialogue Styles

  • Direct: Refers to character dialogue reproduced verbatim, which interrupts the narrative flow.
  • Indirect: The narrator dominates the discourse, reporting what characters say.
  • Free Indirect: The narrator appears to speak from within the characters, traditionally associated with the omniscient narrator.

Contemporary Narrative Techniques

Techniques derived from film and modern literature:

  • Mounting: Multiplicity of narrators and points of view with parallel narrative threads.
  • Racconto: An extended backward shift in time.
  • Flashback: A brief recollection of past events.
  • Premonition or Prospecting: A vision of a possible future.
  • Flash Forward: A short projection into the future.
  • Internal Monologue: Verbalization of a character's mental contents in a logical order to reveal interiority.
  • Soliloquy: A structured, logical internal monologue where the character dialogues with themselves.
  • Stream of Consciousness: Verbalization of mental contents as they appear in the unconscious; lacks logical structure and is often chaotic.

Time in Narrative

  • Fable (Story Time): Actions presented in a linear, causal, and chronological sequence.
  • Subject (Discourse Time): The aesthetic arrangement of events, which may break the linear timeline.
  • Reference Time: The historical reality, social context, and cultural period of the writer.

Note: Anachronies represent a deliberate break with the fable.

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