Trecento Italian Musical Forms
The Madrigal
It was typically a composition for two voices (rarely three), with the upper voices using the same text. The lower voice, the tenor, was often a free invention, and its melodic line, like the upper voices (especially the highest), was highly melodic and often featured lengthy melismas.
Texts were typically idyllic, pastoral, or amatory poems, sometimes satirical. Stanzas usually contained three verses. All stanzas (usually 2 or 3) had the same music. At the end, there were a couple of extra verses called the ritornello, set to different music.
A feature that links the madrigal to the earlier Conductus is the ornamented melismatic passage, which often appears at the end and sometimes at the beginning of a stanza. This form is characteristic...