Notes, summaries, assignments, exams, and problems for Language and literature

Verb Conjugation, Propositions, Advertising, and Syntax

Language and literature2.88 KB

Verb Conjugation: Regular and Irregular Forms

Conjugation refers to all the forms a verb can take, encompassing all tenses and moods.

Regular Verbs

Regular verbs maintain the same root in all forms and use the same endings as their model verb.

Example:

  • Singing ........ cant-o ......... cant-é ......... é sing ....

Irregular Verbs

Irregular verbs do not maintain the same root in all forms and do not use the same endings as their model verb.

Example:

  • Be ..... est-o ..... est-uve .... ....... be-é

Propositions and Coordinated Clauses

Coordinated propositions are at the same syntactic level; none depends on the others. They can become independent clauses if the connecting links are removed. Coordinated clauses can be of several types:

  • Copulative: Express
...
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Analysis of Lorca's 'Sin City Dream' and Salinas' 'The Soul Had'

Language and literature4.08 KB

Federico Garcia Lorca - Sin City Dream

Topic: Lorca describes a New York night, focusing on the city's skyscrapers, which he finds monstrous and unfamiliar. This perception characterizes Lorca's tendency to anthropomorphize buildings, blurring the lines between the built environment and the animal world. The poem highlights the dehumanization prevalent in the city that never sleeps, where constant activity and a sense of modernity lead to a monotonous existence, with residents seemingly waiting for death without hope. The subtitle, 'Night of Brooklyn Bridge,' reinforces the theme of a sad city devoid of rest.

Metrics

The poem is written in free verse, with rhythm achieved through repetition of ideas, words, and sentence structures (e.g., 'whip!...

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Metamorphosis: Isolation and Dehumanization in Kafka's Story

Language and literature4.18 KB

Space and Confinement in *The Metamorphosis*

Space is very limited in The Metamorphosis. All the action happens in the home of the Samsa family. The layout is significant, but more than the floor plan, the most important aspect is Gregor's room. Connected to this topic is the importance of the number three.

In the house, we find three rooms, and in the center of these is Gregor's. In addition to Gregor's room, there are three doors, one to each room, and only one window facing the street. Almost the entire story takes place in Gregor's room; his life is inextricably linked to it. The window, which could be an escape route, provides more light than the stark hospital street outside.

The fact that Gregor's room is in the middle gives us the idea...

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Lyric Poetry: Characteristics and Subgenres

Language and literature3.85 KB

Lyric Poetry

Lyric poetry is the manifestation of the inner world of the author, making it subjective and personal, but not necessarily individualistic. Typically, the author is inspired to write by external objects or events. Key features of lyric poetry include its brevity and the flexibility or variety it presents. It communicates a representation of the self, which is a reflection of reality. This is evident in each author's syntax, keywords, topics, and method of exposition.

Expression of the Self

The self is expressed through grammatical elements such as the first person, demonstratives, and adverbs of place and time. The representative function is predominant in the poetic work. The appellate function also appears, bringing with it the...

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La Celestina and Jorge Manrique: Spanish Literature

Language and literature4.4 KB

La Celestina by Fernando de Rojas

La Celestina, by Fernando de Rojas, is the most significant work reflecting the spiritual climate of the fifteenth century: confusion and pessimism in a period of transition. For the first time, it expresses modern sensibility, but from a pessimistic outlook, as the radical individualism of the characters leads to pain and death.

The Author and His Times

Fernando de Rojas was a lawman. He represents the modern, urban, and university-educated writer.

The Literary Genre

La Celestina is a dialogical work that follows the model of the Italian humanistic comedy, which, in turn, imitated the Latin classics of Plautus and Terence.

The Plot

The young nobleman Calisto casually meets Melibea, falls in love, and declares his...

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Privacy Protection and Data Security in the Digital Age

Language and literature2.99 KB

Privacy Protection

The information society reveals vast amounts of personal data through networks. Consequently, numerous companies gain access to this data, including information about our tastes and hobbies. This information can be illegally sold to third parties, and sometimes legal vacuums exist.

Crimes Against Privacy

  • Logging onto another person's computer without permission.
  • Unauthorized data transfer interception.
  • Email address harvesting.
  • Electronic harassment.

European Legislation

"Data collection should be clear, legitimate, and never excessive in relation to its intended purpose."

  • Data must be accurate and up-to-date.
  • Data controllers should allow users to correct or remove their data.
  • Identifying data should not be kept longer than necessary.
...
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Antonio Machado's Duero Poem: Analysis of Landscape and Castile

Language and literature4.92 KB

Antonio Machado: Life and Literary Context

The poet Antonio Machado was born in Seville, the Andalusian capital, in 1875. He studied in Madrid at the Institución Libre de Enseñanza (Free Institution of Education), where he developed a deep appreciation for nature and Spanish traditions. While in Paris, he encountered important Symbolist poets who significantly influenced his style.

Upon his return to Spain, Machado taught at an institute in Soria, where he met and fell in love with Leonor Izquierdo. Tragically, she died after only three years of marriage. The poet, deeply affected, left Soria and his memories behind, moving to Baeza (Jaén). Later, he alternated between Segovia and Madrid until the outbreak of the Spanish Civil War. A staunch...

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Catalan Literary Figures: Vilanova and Oller's Realist Narratives

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Emilio Vilanova: Chronicler of Catalan Customs

Emilio Vilanova stands as a foremost representative of customs in Catalan literature, embracing the traditions of great literary works. His entire body of work creates a vivid world with a magnificent use of the Catalan language. Vilanova's narratives are often set in the Barcelona neighborhood of Santa Maria del Mar, featuring characters drawn from the working class and popular strata. He is a keen observer of reality, and his works present an elegiac, nostalgic, and poeticized vision of disappearing customs, while also revealing subtle social criticism.

Narcís Oller: A Writer in Tune with His Times

Narcís Oller, a lawyer, regretted not being able to dedicate himself solely to literature, especially...

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Spanish Narrative: Existentialism and Renewal 1940-1970

Language and literature2.6 KB

Novel Experimental: Renewal of the Novel

Most Important Innovations:

  • Argument: Loses significance in some novels and completely disappears in others.
  • Characters: The individual character returns, but always in conflict with itself.
  • Structure: The external structure disappears, and the chapter introduces the sequence in internal chronological order.
  • Point of View: The omniscient narrator returns and shares digressions. It reproduces the interior monologue of a character's thoughts as they arise in their consciousness. Digressions are comments the author makes about some fact or character.
  • Language and Style: The imposing baroque language is inadequate to the poor reality the author tells. Concerning the style, the features are:
    • Risk variety of languages,
...
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Theatrical and Literary Language: Characteristics

Language and literature3.18 KB

Theatrical Language

Theatrical language can be:

  • Vanguard: The author aims to challenge the theater, allowing for the free flow of unknown emotions. Objects have a symbolic value; they are not real or intended to be.
  • Realistic: The theater shows elements that could be possible, reflecting the real world.

The characters that appear in a play have their own language, sometimes not exclusively verbal:

  • Nonverbal language: Uses extralinguistic elements, such as gestures.
  • Verbal: The basis of the action lies in dialogue, which may also include monologues and asides.

Regarding the formal aspects, the following must be taken into account:

  • The tone in which the piece is written (comical, realistic, worship, etc.).
  • The syntactic structure of paragraphs provides
...
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