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1. Poesía 60: Promotion or Children of War Generation

Characteristics:

• Poetry as knowledge or experience; presence of intimacy, love for remembrance, expression of subjectivity.
• Ethnic concern about the Spanish situation, manifesting dissent critically, but detached, ironic, and sometimes skeptical.
• Language: Natural but carefully crafted, moving away from prosaic social poetry.
• Themes: Personal and intimate experience (love, loneliness, friendship, life).
• Metric: Heroic verse, free verse of 5 and 7 syllables.

Key Poets:

• Ángel González: Conversational tone, irony, dry humor to express complaint (e.g., Harsh World).
• José Agustín Goytisolo: Exploration of ethical concerns of privacy (e.g., Psalm in the Wind).
• Jaime Gil de Viedma: (Barcelona School)

Major Currents in 20th Century Spanish Literature

Modernism belongs to young supporters of a new literature, seeking an aesthetic beauty that leads to an aesthetic renewal. The Generation of '98 was also lively, but with a renewed zeal to give special attention to historical time.

In 1914, the poetry of Juan Ramón Jiménez opened the path to Pure Poetry. Novencentismo, or the Generation of '14 (Ramon Gómez de la Serna), also contributed to Modernism. Avant-garde literature gained momentum, reaching its peak around 1925.

After the Spanish Civil War, literature split into two groups (internal exile) based on their search for meaning:

• The Rooted: Those who felt installed in the world.
• The Uprooted: Those who expressed anguish and malaise.

Around 1955... Continue reading "Major Currents in 20th Century Spanish Literature and Novel Analysis" »

Early 20th Century Spanish Theater

The early years of the 20th century highlighted a commercial theater and entertainment scene that primarily emphasized the works of Jacinto Benavente, the Quintero brothers, and Pedro Muñoz Seca.

Jacinto Benavente (1866–1954)

A native of Madrid, member of the Royal Spanish Academy, and 1922 Nobel Prize winner for Literature, Benavente adapted his theater to the mentality of his time. His work consisted of well-constructed pieces featuring bourgeois settings.

• Early career: Began with The Nest, but its failure led him to compose Saturday Night.
• Notable works: Vested Interests and The Unloved.

Eduardo Marquina (1879–1943)

This Barcelona-born author wrote realistic prose works and poetic dramas set in the rural... Continue reading "Key Figures of Early 20th Century Spanish Theater" »

Spanish Theater Before 1939

Introduction: Theater in Spain before 1939 was largely aimed at commercial purposes, primarily guided by the tastes of entrepreneurs, the aristocracy, and the bourgeoisie. This mainstream theater often showed strong resistance to innovation. Two main trends can be distinguished during this period:

Mainstream Commercial Theater

This was the dominant theatrical form, often following conventions established in the second half of the 19th century. Key aspects included:

• Bourgeois Comedy: Its subject matter typically focused on the societal norms, customs, and vices of the middle and upper classes.
• Historical-Poetic Theater in Verse: This genre often praised noble ideas, patriotism, and significant figures or events from Spanish

Federico García Lorca and "La casa de Bernarda Alba"

This fragment delves into Federico García Lorca's play La casa de Bernarda Alba. Lorca, a renowned poet, playwright, and prose writer, was a prominent figure of the Generation of '27. The play was written in 1936, shortly before his tragic execution. While the specific act (I, II, or III) of the chosen fragment is not detailed here, the play itself offers a profound exploration of its themes.

Lorca's Theatrical Characteristics

Lorca's theater stands as one of the most significant contributions to 20th-century Spanish drama. It is characterized by:

• Poetic Drama: His plays often revolve around powerful symbols.
• Episodic Structure: The plot frequently unfolds through distinct scenes or "prints.

Federico García Lorca's Theatrical Legacy

Federico García Lorca, a prominent member of the Generation of '27, created plays that are considered as valuable as his poetry. He wrote his most famous works after 1930. Thematic coherence was maintained throughout his work, and loneliness, pain, and death were constant themes. His dramatic creation began in his youth, with certain modernist influences and the drama of Eduardo Marquina (The Hex). He created puppets for farces such as Tragicomedy of Don Cristobal and Password Roseta.

Surrealist Works

His more surreal, so-called "impossible theater" works, are: If Five Years Pass, The Public, and Play Without a Title. These works broke with traditional staging and some logical aspects, hence the difficulty... Continue reading "Federico García Lorca's Theatrical Legacy: A Deep Dive" »

Impact Ortega y Gasset is perhaps the most important Spanish philosopher, his works have been translated into many foreign languages (mainly his most famous work, The Revolt of the Masses), and have resulted in countless articles and books, interpretive . In Spain before the Civil War Ortega was one of the major figures in the cultural life, both the conference and the newspaper article, and from his professorship at the university and the publishing world and scholar. In this field, for example, simply noting that he founded and directed from 1923 to 1936 "Magazine of the West" and the publisher of the same name, editorial made available to Spanish readers the best in Europe (particularly Germany) was produced in the world of philosophy and... Continue reading "Conceptual delimitation" "social work" »

Machado: His Works and Evolving Themes

The central issues in Antonio Machado's works—time, love, sleep, worry, and Spain—evolve throughout his writing life. His poetry ranges from intimate and melancholy to more subjective and objective explorations.

Poetic Development (Circa 1907)

Around 1907, Machado sought intimacy in his poetry, focusing on:

• Poetry outside of time, the eternal present.
• Substantive and adjective poetry.
• Poetry set in the past and observing the real world.

First Poetry Book: "Solitudes, Galleries, and Other Poems"

He continuously revised his first book of poetry over the years:

• 1903: "Solitudes"
• 1907: Modification of "Solitude"
• 1917: "Complete Poems and Solitude"
• 1919: Final version: "Solitudes, Galleries, and Other Poems"

This work... Continue reading "Antonio Machado's Poetic Evolution and Themes" »

Hadrian, officially known as Imperator Caesar Divi filius Traiani Hadrianus Augustus, and Divus Hadrianus after deification, was emperor of the Roman Empire of the Ulpius-Aelia dynasty and the third of the Five Good Emperors. During his reign, the empire reached its greatest territorial extent. Hadrian's interests were highlighted by philosophy.

Born in Rome into a wealthy family hailing from Piceno (Italy) and established in the late third century C. near modern Seville, he was a second nephew by Trajan's maternal line. Trajan, though never publicly naming him his heir, gave several examples of preference during his reign and, according to the statement by his wife, Pompeia Plotina, declared him as such moments before dying. Although it is... Continue reading "Hadrian: Roman Emperor, Reign, and Legacy" »

Miguel Hernández: A Life in Poetry

Hernández was born in Orihuela (Alicante). He studied at a college of the Society of Jesus until the age of 14 when he left school to help his father in the family business. In his free time, he frequented the public library where he read classics and mystics.

Hernández's Poetic Journey

Hernández's poetry began with creative verses full of images of the Hispanic tradition. His work marks the transition between earlier authors and a new era. His poetry is characterized by its virile and heartfelt tone, its humanity, and technical perfection. He uses metaphors, sometimes primitive, sometimes surreal, but always full of strength. He highlights life, evocations of the natural and rural. The main theme of his... Continue reading "Miguel Hernández: Life, Poetry, and Legacy" »